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Susan HillSusan Hill
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BiographyNovelist, children's writer and playwright Susan (Elizabeth) Hill was born in Scarborough, England, on 5 February 1942. She was educated at Scarborough Convent School and at grammar school in Coventry, before reading English at King's College, London, graduating in 1963 and becoming a Fellow in 1978. Her first novel, The Enclosure, was published in 1961 when she was still a student. She worked as a freelance journalist between 1963 and 1968, publishing her third novel, Gentleman and Ladies, in 1968. She became a Fellow of the Royal Society of Literature in 1972 and was a presenter of BBC Radio 4's 'Bookshelf' from 1986 to 1987. In 1996 she started her own publishing company, Long Barn Books, editing and publishing a quarterly literary journal, Books and Company, in 1998.
Other novels include Strange Meeting (1971), set during the First World War, In the Springtime of the Year (1974), Air and Angels (1991), and most recently, The Service of Clouds (1998). The Woman in Black (1983), a Victorian ghost story, was successfully adapted for stage and television and Mrs de Winter (1993) is a sequel to Daphne du Maurier's Rebecca.
Susan Hill is also the author of two volumes of memoir, The Magic Apple Tree: A Country Year (1982), about her life in rural Oxfordshire during the 1970s, and Family (1989), in which she writes about her early life in Scarborough.
Her books for children include The Glass Angels (1991); Beware, Beware (1993); King of Kings (1993) and The Battle for Gullywith (2008). She has also written radio plays, a number of books of non-fiction and has edited several anthologies of short stories including two volumes of The Penguin Book of Modern Women's Short Stories, published in 1991 and 1997.
Her recent books, The Various Haunts of Men (2004), Pure in Heart (2005), and The Risk of Darkness (2006), form a series of books about the adventures of Detective Chief Inspector Simon Serailler. A fourth book in the series, The Vows of Silence, was published in 2008. The Man in the Picture (2007) is a classic ghost story in the tradition of The Woman in Black.
Susan Hill is married to the Shakespeare scholar Professor Stanley Wells with whom she lives in a farmhouse in the north Cotswolds. Her latest book is The Beacon (2008), a literary novella.
   
  Genres (in alphabetical order)Autobiography, Children, Drama, Fiction, Non-fiction, Radio drama, Short stories     BibliographyThe Enclosure Hutchinson, 1961 Do Me a Favour Hutchinson, 1963 Gentleman and Ladies Hamish Hamilton, 1968 A Change for the Better Hamish Hamilton, 1969 I'm the King of the Castle Hamish Hamilton, 1970 Strange Meeting Hamish Hamilton, 1971 The Albatross Hamish Hamilton, 1971 The Bird of Night Hamish Hamilton, 1972 The Custodian (limited edition of 600 copies) Covent Garden Press, 1972 A Bit of Singing and Dancing Hamish Hamilton, 1973 In the Springtime of the Year Hamish Hamilton, 1974 The Cold Country and Other Plays for Radio BBC Publications, 1975 The Distracted Preacher and Other Stories by Thomas Hardy (editor) Penguin, 1979 New Stories (editor with Isabel Quigly) Hutchinson (for the Arts Council of Great Britain and PEN), 1980 The Magic Apple Tree: A Country Year Hamish Hamilton, 1982 Ghost Stories (editor) Hamish Hamilton, 1983 People: Essays and Poems (editor) Chatto & Windus, 1983 The Woman in Black Hamish Hamilton, 1983 One Night at a Time Hamish Hamilton, 1984 The Ramshackle Company Longman, 1985 Mother's Magic Hamish Hamilton, 1986 The Lighting of the Lamps Hamish Hamilton, 1986 Lanterns Across the Snow Michael Joseph, 1987 Shakespeare Country Michael Joseph, 1987 Can It Be True?: A Christmas Story Hamish Hamilton, 1988 The Spirit of the Cotswolds Michael Joseph, 1988 Family Michael Joseph, 1989 Suzy's Shoes Hamish Hamilton, 1989 Ghost Stories (editor) Longman, 1990 I Won't Go There Again Julia MacRae, 1990 Septimus Honeydew Julia MacRae, 1990 Stories from Codling Village Julia MacRae, 1990 The Parchment Man: An Anthology of Modern Women's Short Stories (editor) Michael Joseph, 1990 The Walker Book of Ghost Stories (editor) Walker, 1990 Air and Angels Sinclair-Stevenson, 1991 The Glass Angels Walker, 1991 The Penguin Book of Modern Women's Short Stories (editor) Penguin, 1991 A Very Special Birthday Walker, 1992 The Mist in the Mirror: A Ghost Story Sinclair-Stevenson, 1992 Beware, Beware Walker, 1993 King of Kings Walker, 1993 Mrs de Winter Sinclair-Stevenson, 1993 Pirate Poll Puffin, 1994 The Christmas Collection Walker, 1994 Contemporary Women's Short Stories (editor) Michael Joseph, 1995 Reflections from a Garden (with Rory Stuart) Pavilion, 1995 Listening to the Orchestra Long Barn Books, 1997 The Second Penguin Book of Modern Women's Short Stories (editor) Michael Joseph, 1997 The Service of Clouds Chatto & Windus, 1998 The Boy Who Taught the Beekeeper to Read Chatto & Windus, 2003 The Various Haunts of Men Chatto & Windus, 2004 The Pure in Heart Chatto & Windus, 2005 The Risk of Darkness Chatto & Windus, 2006 The Man in the Picture Profile Books, 2007 The Battle for Gullywith Bloomsbury, 2008 The Beacon Chatto & Windus, 2008 The Vows of Silence Chatto & Windus, 2008  
  Prizes and awards1971 Somerset Maugham Award I'm the King of the Castle 1972 Mail on Sunday/John Llewellyn Rhys Prize The Albatross 1972 Whitbread Novel Award The Bird of Night 1988 Nestlé Smarties Book Prize (Gold Award) (6-8 years category) Can It Be True?: A Christmas Story 2006 Theakston's Old Peculier Crime Novel of the Year (shortlist) The Various Haunts of Men    
  Critical PerspectiveSusan Elizabeth Hill is a prolific writer: the author of numerous novels, collections of short stories, non-fiction and children's fiction as well as a respected reviewer, critic, broadcaster and editor. Above all though it has been Hill's novels - of which there are now more than a dozen - that have captured the public's imagination. Hill has a talent for storytelling, for producing what one Guardian reviewer has called 'a rattling good yarn'. A skilled editor of the work of others (see, for example, her two volume The Penguin Book of Modern Women's Short Stories (1991)), it is clear that Hill applies those editorial skills just as rigorously to her own prose. As a result, her writing reveals an enviable capacity for generating and maintaining suspense through the deployment of fast moving, agile plots. That one of her best loved novels, The Woman in Black (1983), is still running as an adaptation in London's West End, (some 25 years after it was first published!), is an indication of the seductive power of her prose.
Many of Hll's fictional families are dysfunctional, broken, or about to be broken and the protagonists appear isolated, or awkward in the company of others. Many of them occupy haunted properties, such as The Man in the Picture (2007) and her recent novel for younger readers, The Battle for Gullywith (2008). They centre on characters like Thomas Cavendish, the Cambridge University tutor of Air and Angels (1991), Sir James Mammoth (The Mist in the Mirror: A Ghost Story (1992)) and Arthur Kipps (The Woman in Black). These lofty figures explain something of the seductiveness of Hill's prose, which flirts at times with a romantic image of an aristocratic England, a sentimental vision of the country before (or during) the war and imperial decline. However, this is only half the story. Hill's novels are rarely, if ever, conventionally 'romantic', filled as they are with darker, more disturbing images of death, loss and haunting.
In the Springtime of the Year (1974) is a semi-autobiographical novel about loss. This subtle work of fiction describes the sense of loneliness and isolation felt by Ruth following the sudden death of her husband. Shortly after the publication of this melancholy, moving text, Hill announced her retirement from writing. However, a decade later she made a memorable return to fiction in the form of The Woman in Black. The Woman in Black is essentially a ghost story. Like a number of her books, it borrows imaginatively from the styles and conventions of the nineteenth century realist novel. Many of the images and themes of the book are drawn from this tradition and will be familiar to the 'knowing' reader: the city as a site of disease, for instance. The text self-consciously signals its literary heritage through its title (a playful reversal of Wilkie Collins's Victorian ghost story, The Woman in White) and through its references and allusions to Dickens's Great Expectations: 'I had expected it [the late Mrs. Drablow's house] to be a shrine to the memory of her husband of so short a time, like the house of poor Miss Havisham'. The Woman in Black is by no means simply a faithful reproduction of the 'past masters' however. The compressed prose and the nuanced characterisation, along with the clever use of silence and the unsaid suggest that this is also very much a modern novel about modern times.
Dr James Procter, 2009  
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