British Council Arts
 British Council Arts
 British Council Arts
 
 Contemporary Writers
 Contemporary Writers
 Contemporary Writers
Home About this site Author index Awards and prizes News Events
 *
 Click here to visit enCompassCulture.com
 *

Search entire site

Perform search

 


 

Search authors

Author name

Gender m f
Nationality

Genre

Book title

Publisher

Perform search

 Join the mailing list.
 *

Allan Massie

Allan Massie


Back | Genres | Bibliography | Prizes and awards | Critical perspective
Contact details | Printer-friendly version

 

 *
 *
 *
 *

Photo: © Weidenfeld & Nicolson

 *

Biography

Allan Massie was born on 19 October 1938 in Singapore, and was educated at Trinity College, Glenalmond and Trinity College, Cambridge. He began his career as a teacher (1960-71) at Drumtochty Castle School, and also taught English as a second language in Rome (1972-5). He was Creative Writing Fellow at Edinburgh University (1982-4) and at Glasgow and Strathclyde Universities (1985-6). He was a member of the Scottish Arts Council (1989-91), a Trustee of the National Museums of Scotland (1995-8), and is a Fellow of the Royal Society of Literature.

Allan Massie was a columnist for the Glasgow Herald (1985-8) and the Sunday Times Scotland (1987-91), and has been fiction reviewer for The Scotsman since 1976. He has been a columnist for the Daily Telegraph since 1991, The Daily Mail since 1994, and the Sunday Times Scotland since 1996. A former editor of the New Edinburgh Review, he also contributes to the Sunday Telegraph and The Spectator.

His first novel, Change and Decay in All Around I See was published in 1978, followed by The Last Peacock (1980), which won the Frederick Niven Literary Award, and The Death of Men (1981), winner of a Scottish Arts Council Book Award. His fiction also includes the acclaimed Imperial sequence, a series of historical novels set in the Roman Empire, including Augustus: The Memoirs of the Emperor (1986), Tiberius: The Memoirs of the Emperor (1991) and Caesar (1993). Caligula (2004), a new novel in the sequence, tells the story of the infamous, 'mad' Roman emperor.

Allan Massie is also the author of a trilogy of novels about four brothers set during the Second World War: A Question of Loyalties (1989), The Sins of the Father (1991) and Shadows of Empire (1997).

 

A further trilogy comprises of The Evening of the World: A Romance of the Dark Ages (2001), set during the fifth century A.D; Arthur the King (2003); and Charlemagne and Roland (2007).

His non-fiction books include works about Muriel Spark, Colette and Byron.

Allan Massie is married with two sons and one daughter and lives in Selkirk, Scotland. His latest novel is Surviving(2009).

 

 

 Top of page  * Top of page

 

Genres (in alphabetical order)

Criticism, Drama, Fiction, Non-fiction

 

 

Bibliography

Change and Decay in All Around I See   Bodley Head, 1978

Muriel Spark   Ramsay Head Press, 1979

Ill Met by Moonlight: Five Edinburgh Murders   Harris, 1980

The Last Peacock   Bodley Head, 1980

The Death of Men   Bodley Head, 1981

Edinburgh and the Borders: In Verse   (editor)   Secker & Warburg, 1983

The Caesars   Secker & Warburg, 1983

A Portrait of Scottish Rugby   Polygon, 1984

Eisenstaedt: Aberdeen, Portrait of a City   Louisiana State University Press, 1984

One Night in Winter   Bodley Head, 1984

Augustus: The Memoirs of the Emperor   Bodley Head, 1986

Colette: The Woman, the Writer, and the Myth   (Lives of Modern Women Series)   Penguin, 1986

101 Great Scots   Chambers, 1987

P.E.N. New Fiction: Thirty-Two Short Stories   (editor)   Quartet, 1987

Byron's Travels   Sidgwick & Jackson, 1988

How Should Health Services Be Financed? A Patient's View   Aberdeen University Press, 1988

The Novelist's View of the Market Economy   David Hume Institute, 1988

A Question of Loyalties   Hutchinson, 1989

Glasgow   Barrie and Jenkins, 1989

The Hanging Tree   Heinemann, 1990

The Novel Today: A Critical Guide to the British Novel, 1970-1989   Longman (in association with the British Council), 1990

Scotland and Free Enterprise   (with Ewan Marwick and Douglas C. Mason)   Aims of Industry, 1991

The Sins of the Father   Hutchinson, 1991

Tiberius: The Memoirs of the Emperor   Hodder & Stoughton, 1991

Caesar   Hodder & Stoughton, 1993

These Enchanted Woods   Hutchinson, 1993

Edinburgh   Sinclair-Stevenson, 1994

The History of Selkirk Merchant Company: 1694-1994   Selkirk Merchant Company, 1994

The Ragged Lion   Hutchinson, 1994

King David   Sceptre, 1995

Antony   Sceptre, 1997

Shadows of Empire   Sinclair-Stevenson, 1997

Nero's Heirs   Sceptre, 1999

The Evening of the World: A Romance of the Dark Ages   Weidenfeld & Nicolson, 2001

Arthur the King   Weidenfeld & Nicolson, 2003

Caligula   Sceptre, 2004

The Thistle and the Rose: Six Centuries of Love and Hate Between Scots and English   John Murray, 2005

Scottish Cultural Identity   Viking, 2006

Charlemagne and Roland   Weidenfeld & Nicholson, 2007

Surviving   Vagabond Voices, 2009

 

 Top of page  * Top of page

 

Prizes and awards

1980   Frederick Niven Literary Award   The Last Peacock

1982   Scottish Arts Council Book Award   The Death of Men

 

 

 Top of page  * Top of page

 

Critical Perspective

Allan Massie is a prolific Scottish novelist, an historian and literary editor, as well as a lively and controversial journalist for various newspapers in both Scotland and England. Of Conservative persuasion (Massie is an outspoken critic of Scottish devolution), Massie’s preference for traditional and historical narrative forms, and his penchant for fictionalizing powerful individuals and elite society is arguably attributable to his ideological outlook. Political essays and accounts such as How Should Health Services Be Financed? A Patient's View (1988),
The Novelist's View of the Market Economy (1988), and more recently, The Thistle and the Rose: Six Centuries of Love and Hate Between Scots and English (2005), and Scottish Cultural Identity (2006) have earned him his fair share of critics in Scotland, including notable novelist natives, James Kelman and Irvine Welsh.

 

Having said this, Allan Massie’s Roman biographies, which include Augustus: The Memoirs of the Emperor (1986), Tiberius: The Memoirs of the Emperor (1991), Caesar (1993), and Nero's Heirs (1999), have had a broader cultural appeal, and manage to transcend easy political affiliations. As such they might be regarded as the backbone of his literary career to date. Trevor Royle captures Massie’s contradictions well:

 

'Allan Massie occupies a curious place in Scottish letters. As a journalist and political commentator he embraces the politics of the conservative new right; in newspaper columns and elsewhere he has espoused the economic dogma of Margaret Thatcher (the British prime minister between 1979 and 1990), yet he is also a novelist of rare talent whose sympathies belong to the corrupted and the downtrodden, whatever their rank in society.'

 

The Roman biographies have a large and devoted readership appreciative of the historical learning and scholarship which is combined with an easy, accessible style that gives the narratives an immediacy, veracity and vitality. Written in the first person, and from the point of view of monumental figures like Augustus, Massie is credited with breathing fresh life into his subjects. Indeed his most successful biographies, such as Tiberius, have earned him comparison with contemporary writers such as Brett Easton Ellis on the online website, Amazon.co.uk. Professional critics have been equally unrestrained in terms of their enthusiasm. Thus we have Tom Adair writing of Caesar in The Independent: ‘It makes for a rounded, lucid, amusing, intriguing account. Massie's authority of tone and control of the elements and nuances of the novel are not in doubt. It is a piece of bravura invention, in scholarly guise, which perhaps only Anthony Burgess, of present living writers of historical novels, might have bettered.’

 

As a Scotsman, Massie remains closely attached to his country, despite his outspoken views against Scottish devolution, and is well known locally for his portraits of Aberdeen (1984), Edinburgh (1994) and Glasgow (1989). What his historical biographies have done for European history, his geographical ‘biographies’ have done for the modern histories of urban Scotland. More generally, there is a worldly sophistication about Massie’s writing which wanders with seemingly effortless ease from postwar London (Change and Decay in All Around I See, 1978), to wartime France (A Question of Loyalties, 1989), and present day Scotland, from '70s Italy (The Death of Men, 1981) to ancient Rome (The Evening of the World: A Romance of the Dark Ages, 2001).

 

The Evening of the World is the first in an historical trilogy that promises the epic scope which fans of Massie’s earlier work have come to expect. The novel is set at the fag end of the Roman Empire and centres upon Marcus as he sets out on journey of discovery that takes him from Rome to Greece and beyond. In the second installment, Arthur the King, Massie delivers a playful and at times downright mischievous reworking of Arthurian legend. In the third, Charlemagne and Roland (2007), we have another narrative told in the form of a homily, but by contrast some readers found it muted and disappointing. Nevertheless critics have been balanced in their assessments of the novel, as the following review from The Independent suggests:

 

'Anachronism is both Massie's best weapon and his nemesis … Massie, in Brechtian fashion, jars and judders us … For all this, he is a mighty story teller, and his learning gleams from his knowledge of the Dark Ages. He may play fast with both fact and fiction, but he never plays loose. Just as you're wondering what happened to the last historically dodgy digression, he scoops it up into the plot.'

 

Allan Massie’s latest novel, Surviving (2009), is an unusual and in some ways unexpected work, not to mention a significant and original departure from much contemporary writing, and from Massie’s own historical fiction. What connects them is their constant and gleeful allusion to key figures of cultural history (here we have Lowrie, Hemingway and Fitzgerald, big drinking writers who haunt our alcoholic protagonists). Set in present-day Italy, the book has a dark humour about it, focusing on three key characters as they attend an Alcoholics Anonymous session. Surviving slowly unravels the pasts of Kate, Belinda and Tom, while leaving certain enigmas strategically in place. The novel’s preoccupation with private lives represents a refreshing departure from the public and political histories for which Massie is today best known.

 

 

Dr James Procter, 2010

 

 Top of page  * Top of page

 

Contact information

Publisher (General enquiries)
Weidenfeld & Nicolson
Orion House
5 Upper St Martin's Lane
London  WC2H 9EA
England
Tel: +44 (0)20 7240 3444
Fax: +44 (0)20 7379 6158
www.orionbooks.co.uk

Agent
Curtis Brown Group Ltd
Haymarket House
28-29 Haymarket
London  SW1Y 4SP
England
Tel: +44 (0)20 7393 4400
Fax: +44 (0)20 7393 4401
E-mail: info@curtisbrown.co.uk
http://www.curtisbrown.co.uk

 Top of page  * Top of page

 *
 *  *
 *  *
 *
The British Council is registered in England as a charity. Our privacy statement. Our Freedom of Information Publications Scheme.
 *
 *  *  *
Home page About this site Author index British Council Literature Contact us
© British Council
 *  *  *
 *  *  *
 *
 *
 * Developed and hosted by Artlogic Media Ltd London.  *
 *