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Richard Berengarten

Richard Berengarten


Back | Genres | Bibliography | Prizes and awards | Author statement | Further reading on this site | Contact details | Related links | Printer-friendly version

 

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Photo: © Melanie Rein

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Biography


Poet Richard Berengarten (formerly Burns) was born in London in 1943 into a family of musicians. He was educated at Pembroke College, Cambridge, and University College London. He has lived in Italy, Greece, the USA and former Yugoslavia. His poetry has been translated into more than 85 languages. It is marked by its multicultural frames of reference, depth and ambitiousness of themes, and formal variety and dexterity.

 

His mature work is inaugurated by Angels (1977), Tree (1980) and Black Light (1983), a tribute to George Seferis. The range is extended in the book-length poem The Manager (2001), and Book With No Back Cover (2003), which derives from Yi Qing (I Ching). Then comes his 'Balkan Trilogy': In A Time of Drought (2006); The Blue Butterfly (2006), whose departure-point is an encounter with a blue butterfly at the site of a Nazi massacre; and Under Balkan Light (2008). The first of these won the Morava International Poetry Prize and the second, the Jewish Quarterly-Wingate Prize for Poetry and the Serbian Veliki školski čas award. Other books include Learning to Talk (1980), Some Poems, illuminated by Frances Richards (1977), Roots/Routes (1982), Croft Woods (1999), Against Perfection (1999), For the Living (2004) and Manual I - IV (2006-2010).

 

Richard Berengarten (as Burns) published his first story at the age of 16 in Transatlantic Review. As a student, he wrote for Granta and co-founded the Oxbridge magazine Carcanet. He worked in Padua and Venice, briefly apprenticing himself to the English poet Peter Russell. In Greece, he witnessed the military coup d’état and responded with The Easter Rising 1967. Returning to Cambridge, he met Octavio Paz and, with Anthony Rudolf, co-edited An Octave for Octavio Paz (1972). In the same year, his first collection, Double Flute won an Eric Gregory Award, and Avebury appeared. In 1975, he launched the international Cambridge Poetry Festival, which ran until 1985. His 1981 monograph, Keys to Transformation, explores Ceri Richards and Dylan Thomas. Burns often collaborates with visual artists. He has translated poetry and prose from Italian, French, Greek, Serbian and Croatian.

 

His posts include: the British Council, Athens (1967); East London College (1968-9); Cambridgeshire College of Arts and Technology (1969-79); Arts Council resident writer, Victoria Centre for Adult Education (1979-81); Visiting Professor, Notre Dame University (1982); and British Council Lector, Belgrade (1987-91). He is an authority on creative writing for children and adults, and on writing skills for university students. He was Royal Literary Fund Fellow at Newnham College, Cambridge (2003-2005), Project Fellow (2005-2006), and is currently Bye-Fellow at Downing College, Praeceptor at Corpus Christi College, and supervisor at Emmanuel, Pembroke and Wolfson Colleges and at Peterhouse.

 

 

 

 

 

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Genres (in alphabetical order)

Essays, Poetry, Translation

 

 

Bibliography

Time of a Flower: poems by Aldo Vianello   (translator)   Anvil Press Poetry, 1968

The Easter Rising 1967   Restif Press, 1969

The Flaw/Antonis Samarakis   (translator with Peter Mansfield)   Hutchinson, 1969

The Return of Lazarus   Bragora Press, 1971

An Octave for Octovio Paz   (editor with Anthony Rudolf)   sceptre Press/Menard, 1972

Avebury   Anvil Press Poetry, 1972

Double Flute   Enitharmon, 1972

The Graphic Works of Ceri Richards/Roberto Sanesi   (translator)   Enitharmon, 1972

Journey Towards the North/Ceri Richards   (contributing translator)   Cerastico, 1973

Mario Radice/Guido Ballo   (translator with Joan Hall)   ILTE (Italy), 1973

Untitled   Sceptre Press, 1973

New Poetry   (contributor)   Arts Council of Great Britain, 1975

Roberto Sanesi/A Selection   (contributor)   Grosseteste, 1975

Inhabitable Space   John Morann (Netherlands), 1976

Angels   Los, 1977

On the Organic Language of Henry Moore/Roberto Sanesi   (translator)   La Nuova Foglio (Italy), 1977

Poems for Shakespeare   (contributor)   Globe Playhouse Publications, 1977

Some poems   (illuminated by Frances Richards)   Enitharmon, 1977

Writers of East Anglia   (contributor)   Secker & Warburg, 1977

Biography: poems by Nasos Vayenas   (translator)   Lobby Press, 1978

Earthquake   Sceptre Press, 1978

For John Riley   (contributor)   Grosseteste Press, 1979

Learning to Talk   Enitharmon, 1980

Rivers of Life: a Gravesham Anthology   (editor)   Victoria Press, 1980

Tree   Menard, 1980

Voices With the Ark   (contributor)   Avon Books (US), 1980

Homage to Mandelstam   (editor with George Gömöri)   Los, 1981

Keys to Transformation/Ceri Richards and Dylan Thomas   Enitharmon, 1981

In Visible Ink: Selected Poems of Roberto Sanesi   (editor)   Aquila, 1982

Roots/Routes   Cleveland State University Poetry Center (US), 1982

Black Light   Los, 1983

The Full Note/Lorine Niedecker   (contributor)   Interim Press, 1983

Anthony Rudolf and the Menard Press   Los, 1985

With a Poet's Eye   (contributor)   The Tate Gallery, 1986

New Angles   (contributor)   Oxford, 1987

P.E.N. New Poetry II   (contributor)   Quartet Books, 1988

A Grove of Trees and a Grove of Stones   Octobar (Serbia), 1989

Anthony Dorrell, a Memoir   St. Michael's Mount, Cambridge, 1989

An Anthology for Alan Clodd   (contributor)   Enitharmon, 1990

Färdväg/30 English Poets   (contributor)   FIB: S. Lyrikkllubb (Sweden), 1990

Lady in An Empty Dress: poems by Aleksandar Petrov   (translator)   Forest Books, 1990

The Virago Book of Love Poetry   (contributing translator)   Virago, 1990

I Wear My Shadow Inside Me: poems by Duška Vrhovac   (co-translator)   Forest, 1991

The Space Between   (contributor)   Notre Dame (Indiana), 1991

Klaonica   (contributor)   Bloodaxe, 1993

Out of Yugoslavia   (co-editor)   North Dakota Quarterly (US), 1994

The Road to Parnassus   (contributor)   Salzburg University, 1995

Summoning the Sea   (contributor)   Salzburg, 1996

The Colonnade of Teeth   (contributing translator)   Bloodaxe, 1996

Balkan Destiny/Ivan Gadjanski   (translator)   RAD (Serbia), 1997

Half of Nowhere   (illustrated by Nick Maland)   Cambridge University Press, 1998

The Spaces of Hope   (contributing translator)   Anvil Press Poetry, 1998

Against Perfection   The King of Hearts, 1999

Croft Woods   Los, 1999

Is NATO right to bomb Yugoslavia?   Politika (Serbia), 1999

The Mind Has Mountains: a.alvarez@lxx   (contributor)   Los, 1999

The Twilight of the West   (contributor)   Novosti (Serbia), 1999

There ARE Kermodians   (contributor)   David Campbell, 1999

The Manager   Elliott and Thompson, 2001

A Party Between Two Covers   (contributor)   Chapman, 2002

Earth Songs   (contributor)   Green Books, 2002

Passionate Renewal/Jewish Poetry in Britain since 1945   (contributor)   Five Leaves, 2002

Book with No Back Cover   David Paul, 2003

Looking Eastward   (contributor)   MPT, 2003

For the Living/Selected Longer Poems 1965-2000   Salt, 2004

Remnants of Light   (contributor)   Serbian Writers' Association, 2005

The Art of Unthinking   International Haiku Association (Bulgaria & Japan), 2005

In A Time of Drought   Shoestring Press, 2006

Manual/the first 20   Earl of Seacliffe Art Workshop (New Zealand), 2006

The Blue Butterfly   Salt, 2006

A Room to Live In: a Kettle's Yard Anthology   (contributor)   Salt, 2007

Holding the Darkness: Manual/the second 20   Earl of Seacliffe (New Zealand), 2007

Into the Further Reaches   (contributor)   PS Avalon, 2007

Speaking English   (contributor)   Five Leaves, 2007

Hlding the Sea: Manual/the third 20   Earl of Seacliffe (New Zealand), 2008

Selected Poems/Aldo Vianello   (co-translator)   Anvil Press Poetry, 2008

Studia Mythologica Slavica 11   (contributor)   Ljubljana and Trieste, 2008

Under Balkan Light   Salt, 2008

ContourLines   (contributor)   Salt, 2009

For Angus   (editor with Gideon Calder)   Los, 2009

Manual/the fourth 20   Earl of Seacliffe (New Zealand), 2009

Notre Dame Review: The First Ten Years   (contributor)   Notre Dame (Indiana), 2009

New Order: Hungarian Poets of the Post 1989 Generation   (contributing translator)   Arc, 2010

The Perfect Order: Selected Poems 1965-2010/Nasos Vayenas   (editor with Paschalis Nikolaou)   Anvil Press Poetry, 2010

 

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Prizes and awards

1972   Eric Gregory Award

1972   Keats Memorial Prize for Poetry   (shortlist)

1973   Arts Council Writers' Award

1974   Keats Memorial Prize for Poetry   The Rose of Sharon

1982   Duncan Lawrie Prize, Arvon International Poetry Competition

1989   Yeats Club Prize for poem and translation   (shortlist)

1990   Yeats Club Prize for translation   (shortlist)

1992   Jewish Quarterly-Wingate Prize for Poetry   The Blue Butterfly (unpublished draft)

2005   Morava International Poetry Prize (Serbia)   In a Time of Drought

2007   Veliki školski čas award (Serbia)   The Blue Butterfly

 

 

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Author statement

 

Six propositions

 

1. There are no temporal or spatial centres. Octavio Paz answered Yeats’ complaint that ‘the centre cannot hold’ (1919), with the assertion that ‘for the first time in our history, we are contemporaries of all humanity’ (1950).

2. There is no civilisation without poetry. A poet’s responsibilities are social as well as subjective, communal as well as individual. Poetry, if it is not to caricature or betray itself, needs to involve critical commitment to both the past and future history of ‘all humanity’, and all nature.

3. Reading Paz this way moves (re-turns) us to the vatic and shamanic origins of poetry and to the Orphic responsibilities that Blake and Shelley were the last English poets to advocate with wholehearted spirit and sustained devotion.

4. Languages have gaps and holes and render reality imperfectly. To make a poem, a poet needs to travel through them into silence and to return through them from silence back into language: to test (tear) the boundaries between language and silence.

5. Poetry is a challenge to mortality and a criticism of Death. Crossing deaths, poems are spacetime-travellers: they encapsulate a non-self-defeating irony, the only defeat Death might admit, if Death had words.

6. We might learn our theory and practice from a Southern African word: Archbishop Desmond Tutu writes: 'the word Ubuntu ... speaks about the essence of being human: that my humanity is caught up in your humanity because we say a person is a person through other persons.' (1998).

 

 

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Further reading on this site

New authors on site June 2007
Eight new authors were added to the database in June 2007. Click on the following names to read their bibliographical and biographical details: Julie Bertagna ; Sujata Bhatt ; Alan... more...   (07/08/2007)

 

 

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Contact information

Publisher (General enquiries)
Salt Publishing Ltd
PO Box 937
Great Wilbraham
Cambridge  CB1 5JX
England
Tel: +44 (0)1223 882220
E-mail: chris@saltpublishing.com
http://www.saltpublishing.com

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Related links

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http:/ / www.berengarten.com/ site/
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http:/ / interlitq.org/ staff/ richard_berengarten/ bio.php
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http:/ / interlitq.org/ issue9/ volta/ job.php
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http:/ / www.saltpublishing.com/ writers/ profile.php?recordID=201477
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http:/ / www.davidpaulbooks.com/ 2.shtml
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http:/ / www.earlofseacliff.co.nz/ Manual4.htm

 

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