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Malorie Blackman

Malorie Blackman


Back | Genres | Bibliography | Prizes and awards | Critical perspective
Further reading on this site | Contact details | Related links | Printer-friendly version

 

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Photo: © Robin Matthews

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Biography

Malorie Blackman was born in 1962. She qualified in Computer Science and followed a successful career in computing, before becoming a writer at the age of 28. Her first published book was Not So Stupid! (1990), a book of short stories. Since then she has written many books and scripts, and her popularity has steadily grown. Her scripts for television include several episodes of Byker Grove, Whizziwig and Pig-Heart Boy, and she has also written original dramas for CITV and BBC Education. Her stage play, The Amazing Birthday, was performed in 2002.

 

She writes for all ages of children. Her picture books include I Want a Cuddle! (2001) and Jessica Strange (2002) and she has written many reader books for early and more confident readers. Her novels include: Hacker (1992); the story of Vicky, who saves her father from being wrongly convicted of stealing from the bank after hacking into the bank’s computer to solve the crime herself; Thief! (1995), about a child who is transported into the future after being accused of a crime she did not commit; and Pig-Heart Boy (1997), the diary of 13-year-old Cameron, who needs a heart transplant. The latter book and its subsequent adaptation as a series for television won several awards, including a BAFTA for best children’s drama in 2000.

 

Malorie Blackman's most well-known books for young adults are: Noughts & Crosses (2001); Knife Edge (2004); and Checkmate (2005) – which form the Noughts & Crosses Trilogy, the tale of two teenagers, Callum and Sephy.  In 2004, she also wrote a novel entirely in verse, Cloud Busting (2004), which won a Nestlé Smarties Book Prize (Silver Award) the same year.

 

Malorie Blackman lives in Kent. In 2007 she collected stories and poems for the book Unheard Voices, commemorating the bicentenary anniversary of the abolition of the slave trade. Her latest books are The Stuff of Nightmares (2007) and Double Cross (2008). She was awarded an OBE in 2008.

 

She has recently contributed to Free? (2009), a book of stories celebrating Human Rights.

 

 

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Genres (in alphabetical order)

Children, Screenplay, Young adult

 

 

Bibliography

Not So Stupid!   Women's Press, 1990

Elaine, You're a Brat!   Orchard, 1991

Girl Wonder and the Terrific Twins   (illustrated by Pat Ludlow)   Gollancz, 1991

That New Dress   (illustrated by Rhian Nest James)   Simon & Schuster, 1991

Betsey Biggalow is Here!   (illustrated by Lis Toft)   Piccadilly, 1992

Betsey Biggalow, the Detective   (illustrated by Lis Toft)   Piccadilly, 1992

Girl Wonder's Winter Adventures   (illustrated by Lis Toft)   Gollancz, 1992

Hacker   Doubleday, 1992

Trust Me   Women's Press, 1992

Betsey Biggalow: Hurricane Betsey   (illustrated by Lis Toft)   Piccadilly, 1993

Crazy Crocs   (with Alexander McCall Smith and Sally-Ann Lever)   Longman, 1994

Girl Wonder to the Rescue   (illustrated by Lis Toft)   Gollancz, 1994

Magic Betsey!   (illustrated by Lis Toft)   Piccadilly, 1994

My Friend's a Gris-Quok   (illustrated by Philip Hopman)   Scholastic, 1994

Rachel and the Difference Thief   (illustrataed by Kim Harley)   Longman, 1994

Rachel versus Bonecrusher the Mighty   Longman, 1994

Jack Sweettooth the 73rd   Viking, 1995

Mrs Spoon's Family   (illustrated by Jan McCafferty)   Andersen Press, 1995

Operation Gadgetman!   Yearling, 1995

The Space Stowaway   Ginn, 1995

Thief!   Doubleday, 1995

Whizziwig   (illustrated by Stephen Lee)   Viking, 1995

A.N.T.I.D.O.T.E   Doubleday, 1996

Betsey Biggalow: Betsey's Birthday Surprise   (illustrated by Lis Toft)   Piccadilly, 1996

Grandma Gertie's Haunted Handbag   (illustrated by David Price)   Heinemann, 1996

Peril on Planet Pellia   (illustrated by Patrice Aggs)   Orchard, 1996

The Mellion Moon Mystery   (illustrated by Patrice Aggs)   Orchard, 1996

The Quasar Quartz Quest   (illustrated by Patrice Aggs)   Orchard, 1996

The Secret of the Terrible Hand   (illustrated by Patrice Aggs)   Orchard, 1996

Computer Ghost   Hippo, 1997

Don't Be Afraid   Ginn, 1997

Out of This World   (contributor; includes 'Contact' short story)   Dolphin, 1997

Pig-Heart Boy   Doubleday, 1997

Space Race   (illustrated by Colin Mier)   Corgi, 1997

Aesop's Fables   (retold with illustrations by Patrice Aggs)   Scholastic, 1998

Fangs   (illustrated by Tony Blundell)   Orchard, 1998

Lie Detectives   Hippo, 1998

Words Last Forever   Mammoth, 1998

Animal Avengers   (illustrated by Stik)   Mammoth, 1999

Dangerous Reality   Doubleday, 1999

Dizzy's Wak   (illustrated by Pamela Venus)   Tamarind, 1999

Forbidden Game   Puffin, 1999

Hostage   (illustrated by Derek Brazell)   Barrington Stoke, 1999

Marty Monster   (illustrated by Kim Harley)   Tamarind, 1999

Peacemaker and Other Stories   (illustrated by Peter Richardson and David Hine)   Heinemann Educational, 1999

Whizziwig Returns   (illustrated by Stephen Lee)   Puffin, 1999

Tell Me No Lies   McMillan Children's Books, 2000

Anansi and the Rubber Man   Longman, 2001

I Want a Cuddle!   (illustrated by Joanne Partis)   Orchard, 2001

Noughts & Crosses   Doubleday, 2001

Snow Dog   (illustrated by Sami Sweeten)   Corgi, 2001

Dead Gorgeous   Doubleday, 2002

Jessica Strange   (with Alison Bartlett)   Hodder Children's Books, 2002

The Monster Crisp-Guzzler   (illustrated by Sami Sweeten)   Corgi, 2002

An Eye for an Eye   (novella)   Corgi, 2003

Sinclair Wonder Bear   (illustrated by Deborah Allwright)   Egmont, 2003

The Amazing Adventures of Girl Wonder   (illustrated by Lis Toft)   Barn Owl, 2003

Cloud Busting   Doubleday, 2004

Knife Edge   Doubleday, 2004

Checkmate   Doubleday, 2005

Operation Gadgetman!   Corgi, 2005

The Deadly Dare Mysteries   (contents: 'Deadly Dare'; 'Computer Ghost';, 'Lie Detectives'; illustrated by Neil Chapman)   Random House Children's Books, 2005

Whizziwig and Whizziwig Returns   (re-published in one volume)   Random House Children's Books, 2005

The Big Book of Betsey Biggalow   (omnibus)   Barn Owl Books, 2007

The Stuff of Nightmares   Doubleday, 2007

Unheard Voices   (editor)   Corgi, 2007

Double Cross   Doubleday, 2008

Jack Sweettooth   Corgi, 2008

Jessica Strange   (illustrated by Mark Hearld)   Hodder Children's Books, 2008

The Bumper Book of Betsey Biggalow   (omnibus)   Barn Owl Books, 2008

Free?   (contributor)   Walker Books, 2009

 

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Prizes and awards

1994   WH Smith Mind-Boggling Book Award   Hacker

1994   Young Telegraph/Gimme 5 Children's Book of the Year Award   Hacker

1996   Young Telegraph/Fully Booked Children's Book of the Year Award   Thief!

1997   Excelle/Write Thing Children's Author of the Year Award

1997   Stockport Children's Book Award   (Key Stage 3)   A.N.T.I.D.O.T.E

1998   Carnegie Medal   (shortlist)   Pig-Heart Boy

1998   UKRA Award   Pig-Heart Boy

1999   Wirral Children's Book of the Year Award   Pig-Heart Boy

2000   BAFTA   (best drama)   Pig-Heart Boy

2000   Race and Media Best Drama Award   Pig-Heart Boy

2000   Royal Television Society Award (Children's Drama)   Pig-Heart Boy

2000   Stockport Children's Book Award   (Key Stage 4)   Tell Me No Lies

2001   Chicago TV Festival   (shortlist)   Pig-Heart Boy

2001   Prix Danube Children's Jury Prize   Pig-Heart Boy

2002   Children's Book Award   Noughts & Crosses

2002   Lancashire County Library Children's Book of the Year Award   Noughts & Crosses

2002   Sheffield Children's Book Award   Noughts & Crosses

2003   Wirral Children's Book of the Year Award   Noughts & Crosses

2004   Fantastic Fiction Award   Noughts & Crosses

2004   Nestlé Smarties Book Prize (Silver Award)   (6-8 years category)   Cloud Bursting

2008   OBE

 

 

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Critical Perspective

Since the early 1990s, Malorie Blackman has produced over 50 books. The vast majority are children’s novels, but she has also written Young Adult novels, early-reader books and picture books. She also writes short stories and television scripts, including episodes of the children’s television drama, Byker Grove. Most of Blackman’s characters, like herself, are black, but until the publication of Noughts and Crosses (2001), discussed below, Blackman chose not to foreground the issue of race and ethnic identity, but rather to depict black characters simply living their lives, whether in ordinary or unusual circumstances, without an overt focus on their race. This was because Blackman felt that her publishers were trying to pigeon-hole her as a ‘black writer’ who would ‘write about race and nothing else […] A couple of editors did say, "We want something for our multicultural list" and I’d think, "Well you’re not getting one from me". I wanted a black person on the cover, but plots that had nothing to do with race per se’ (Amanda Craig, The Times, 31 January 2004).

 

One of Blackman’s most successful early books was the novel Hacker (1992). Its theme - that of wrongful accusation - is something she often addresses. In Hacker, Vicky’s father has been falsely accused of stealing from the bank where he works. Rather than sitting back and feeling helpless, Vicky takes the situation into her own hands, using her IT skills to hack into the bank’s computer system in order to prove her father’s innocence. The depiction of a child-hero (or heroine) who saves the day, utilised extensively in J.K. Rowling’s Harry Potter books, is a classic theme in children’s literature, but Blackman gives it a modern edge by depicting a child-hero with sophisticated technological skills.

 

Some of Blackman’s books contain an element of science fiction and fantasy. Thief! tells the story of Lydia, who is wrongly accused of stealing, and struggles to deal with the pain and anger this arouses. After running away, Lydia is knocked unconscious in an accident, but wakes to discover that she has been propelled into the future. Here, like Scrooge in Dickens’ A Christmas Carol, she encounters her future self - bitter, twisted and hard-hearted - and she is thus jolted into taking responsibility for her reactions. Blackman was motivated by some of her own childhood experiences, and enjoyed exploring the possibility that individuals can rise above the effects of negative experiences:

 

'Thief! was sparked off by something that happened to me when I was a child, being accused of something that I didn’t do. I still remember that feeling, and I wanted to explore that idea [that] if something happens to you that’s really hurtful and hateful, do you let it change your life, and do you let it change the sort of person you become […] you don’t have to let bad things turn you into a bad person.'

( BBC’s ‘Blast’ website: http://www.bbc.co.uk/blast/writing/people/malorie_blackman.shtml)

 

One of Blackman’s most well-known novels is Pig-Heart Boy (1997), which was later adapted into a BBC television series for children. The book is extremely topical, addressing the controversial issue of transplanting genetically modified animal organs into humans. Pig-Heart Boy is the story of a young boy, Cameron, who will die if he does not receive a heart transplant. As the lack of human donor organs becomes painfully apparent, Cameron and his family face an agonising and far-reaching decision when they are offered a pig’s heart. Pig-Heart Boy was short-listed for the prestigious Carnegie Medal, while the television adaption won a BAFTA (best drama) as well as a Royal Television Society Award (children's drama), and numerous other awards.

 

Pig-Heart Boy was extremely popular and critically acclaimed, but even this was surpassed by Blackman’s multiple award-winning Noughts and Crosses series. As discussed above, this was the first time Blackman addressed racial issues overtly. She was inspired to do this by various experiences - some political, such as the Stephen Lawrence case, and some personal, such as needing a plaster one day and realising that plasters are always pink so that they are unnoticeable on white skin. Blackman also felt that by this point she had established herself as a talented and multi-faceted writer, and so she felt comfortable enough to address racial issues directly without fear of being pigeon-holed. Consequently, in Noughts and Crosses (2001) and the books which followed - Knife Edge (2004) and Checkmate (2005) - Blackman inverted society, depicting a world in which black people are the ruling elite and white people are confined to minority status, denied legal rights and work in menial jobs. In this world, black people are ‘Crosses’ (always with a capital ‘C’) and whites are ‘noughts’ (with a lower-case ‘n’). The novels focus on the frustrated love affair between a black girl, Sephy, and a white boy, Callum.

 

Noughts and Crosses is the only novel by a black writer to be included in the BBC’s The Big Read, which features the top 100 favourite books of all time, voted for by the British public. Amanda Craig describes the novel and its sequels as ‘revolutionary’ in their simple but acutely satirical depiction of racism:

 

'Filled with love, sorrow, suffering and stinging satire on injustice, Noughts and Crosses is a remarkable novel, not least in tackling the subject of race with brilliant simplicity. Every page shocks; Knife Edge, the sequel, is no less impressive. The style is simple and direct, but the ramifications of what it describes are thought out in devastating detail. Children’s fiction has long been the repository of great satirical writing, but Blackman’s [series] takes it into levels unseen since Orwell’s Nineteen Eighty-Four.' (The Times, 31 January 2004).

 

Blackman herself is modest and sums up her intentions quite simply, stressing the importance of putting oneself in someone else’s shoes. After completing two of the novels, she summarised the central theme in each one: ‘Noughts and Crosses was a novel about love, Knife Edge is about hate, and the third novel [Checkmate, which was published in 2005] is going to be about hope’ (The Times, cited above).

 

In the Noughts and Crosses world, the derogatory term for white noughts is ‘blankers’, while the equivalent for black Crosses is ‘daggers’. Many of the situations and insults depicted are commonplace in real life, but Blackman reverses it for her fictional world in which white people are the victims. Knife Edge, for example, describes a typical playground scene. The simple understatement and the ‘ordinariness’ of the scene increase its poignancy quite dramatically:

 

'Four children were picking sides for an obstacle around the climbing frames. One was a nought, the other three were Crosses. And they were choosing who would be with who for the race. But they couldn’t decide.
“I know,” said the nought girl. “Eenie, Meenie, Minie, Mo. Catch a blanker by the toe. If he squeals, let him go. Eenie, Meenie, Minie, Mo. You’re on my side, Michael. Ready, steady, go!”
[…] I watched as they all tried to negotiate their way up to the top of the star and back down again, each team still holding hands. And the girl’s rhyme kept ringing in my ears. Did she even know what she was saying?'

 

Blackman continues to produce a regular and prolific output of fiction. Her recent publications include Cloud Busting (2004), which won the Nestlé Smarties Book Prize (SilverAward). A highly original novel in verse, Cloud Busting depicts the heartrending struggle of two boys who are trying to maintain their friendship under the stress of peer pressure and bullying. In March 2007, Blackman edited Unheard Voices, an anthology of stories and poems to Commemorate the bicentenary anniversary of the abolition of the slave trade. The collection combines poignant stories and poems with autobiographical accounts of slavery written by freed slaves.

 

 

Elizabeth O’Reilly, 2007
 


 

 

 

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Further reading on this site

Literature Matters
Why not take a look at Literature Matters , British Council Literature Department's online magazine? The latest issue is all about Children's Literature. The good news is that more books... more...   (30/06/2005)

 

 

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Contact information

Publisher (General enquiries)
Doubleday (UK)
c/o Transworld Publishers
61-63 Uxbridge Road
London  W5 5SA
England
Tel: +44 (0)20 8579 2652
Fax: +44 (0)20 8579 5479
E-mail: info@transworld-publishers.co.uk
http://www.booksattransworld.co.uk

Agent
The Agency (London) Ltd
24 Pottery Lane
Holland Park
London  W11 4LZ
England
Tel: +44 (0)20 7727 1346
Fax: +44 (0)20 7727 9037
E-mail: info@theagency.co.uk
http://www.theagency.co.uk

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Related links

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http:/ / www.malorieblackman.co.uk

 

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